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Preface-Nanjing Jingjian Lawyer Museum

"Law is a system composed of rules." So "system" is drawn into the construction space to constitute a very important key point of the system. In the "system" there will inevitably be different rules and regulations. We have been thinking about how to show the logic of abstract legal instruments to more people and help them establish a legal framework and preliminary perception logic. So "framework" and "system" have become our entry points to try to build space.




We make use of wood and strips of varying lengths to build a frame structure inside the space. And this asymmetric and regular frame structure is what we want to express the "legal system perception". Under such a physical structure, visitors can see the beams and columns of different lengths and staggered and superimposed on each other, which is also derived from the deformation of the Chinese arch structure. By finding visual common points, allowing visitors to perceive the accumulation and familiarity of self-culture, dispel the strangeness and resistance generated by some visitors who are not familiar with legal knowledge, and also hope to quickly draw visitors into their familiar environment in.





We adjusted the traditional techniques and used the current design techniques and construction methods to build the frame structure. The column is clamped by two strip beams, and then built on the column. At the same time, the mutual load bearing is used to disperse the structural force. Formed a jagged and balanced frame and column shape. This form implies a "system" framework of law. Both the exhibits, the text content and even the pedestrians walking in the hall are proof of the time trajectory existing within the system framework. And leave and record traces of existence and development.


This design did not break the traditional understanding from a strong visual point, but tried to break through the consciousness of psychological restraint on the basis of respecting the traditional people's cognition. In order to create a "museum" that falls into the routine, we want to build a "book shelf" that is deeply rooted in the people. We also look forward to the future we can design more "non-standard museum" projects.

The space in the staircase uses a contrasting design technique to build a very pure and bright space using the language of the building. The white staircase space creates a lot of voids, using the natural light of the stairway to be introduced into the building, and at the same time using the warmth of natural light to make the space dull. A traffic space with a strong sense of ceremony and faith has been established.


Project Name: Frame Order Location: Nanjing City, Jiangsu Province Location: Xinanli, Shengzhou Road, Qinhuai District Area: 400 square meters Design company: Architect design Main case design: Xu Zhichao Design team: Lu Feng, Ren Zhi, Chen Lei Photography: Wang Haihua, EMMA Design time: April 2019 Completion time: November 2019 Type: Museum Material: solid wood veneer, cement paint, terrazzo tile,


“法律是一种由规则组成的体系。”所以“体系”被拉进构建空间构成系统的一个很重要的关键点。在“体系”里势必就会有不同的规则和条例,我们一直在想如何将抽象的法律用具象的逻辑展现给更多的人,帮助他们建立法律的框架和初步感知逻辑。于是“框架”和“系统”就成为我们尝试构建空间的切入点了。

我们利用木质的且长短不一的条状柱体,构建成空间内部的框架结构。而这种并不对称且规整的框架结构就是我们想表达的“法律体系感知”。在这样的物理构筑下,参观者可以看到长短不一的梁柱结构错落叠加的相互支撑,这也是源自中国建筑斗拱结构的变形。通过找到视觉的共性点,让参观者感知自我文化的积淀和熟悉,打消部分对法律知识不熟悉的参观者所产生的陌生及抗拒心,也是希望迅速将参观者拉进自己熟悉的环境认知中。

我们将传统技法做了调整,用当下的设计手法和施工方式去构建框体结构。通过两片条状的梁将柱体夹住,然后构搭在柱体之上。同时利用互相的承重把结构力分散。形成参差不齐又平衡稳定的框柱形态。而这个形态就寓意着法律的“体系”框架。无论是展品还是文字内容甚至是馆内走动的行人都是在体系框架内存在的时间轨迹的印证。并且留下和记录存在过,发展过的痕迹。

楼梯间的空间我们利用了一个反差性设计的手法,利用建筑的语言构建一个非常纯粹和光明的空间。白色的楼梯空间构筑了很多的空洞,利用楼梯道的自然光引入到建筑体内,同时利用自然光的温暖感化空间的沉闷。建立了一个极富仪式感和信仰感的交通空间。

本次设计并没有从极具强烈的视觉上突破传统认识,而是在尊重传统民众认知的基础上尝试突破心理束缚的意识。于其打造一个落入常规的“博物馆”,我们更想构筑一方深入人心的“图书架”。也期待未来我们可以设计出更多的“非标准性博物馆”项目。


项目名称: 框序

位置:江苏省南京市

地点:秦淮区升州路熙南里

面积:400平方米

设计公司:寸匠凝结建筑设计

主案设计:许智超

设计团队:鲁峰,任志,陈雷

摄影: 王海华,EMMA

设计时间:2019年04月

竣工时间:2019年11月

类型:博物馆

材料:实木贴皮,水泥漆,水磨石瓷砖,



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